BRIAN BEDFORD'S SONGS 
Brian is always delighted when other people take up his songs and sing them in concerts and record them. Many of his songs have been recorded and performed by soloists, duos, bands and choirs in many different forms and with many different arrangements. Brian is of the opinion that people are welcome to arrange the song to suit themselves, but please don't change the words or the tune - after all both words and tune were written for a reason. Change the instrumentation, change the chord structure beneath the tune, change the harmonies, change the timing - it's all a matter of personal taste, but please don't mess with the song itself. If there's anything you must change, please seek permission first.
Anyone recording Brian's songs should get in touch with us about royalty payments. If you are in the UK and you are applying for an MCPS licence please quote the author as Brian Bedford and the publisher as Bedspring Music and MCPS will send you a small invoice for songwriter's royalties. (Call us if you need contact details for MCPS.) It's not a lot but it all helps to keep the boat afloat! If you are outside the UK, please contact us to pay royalties direct at standard MCPS rates. (We can arrange for this to be done simply by Visa, Mastercard or Paypal) Contact: brian@brian-bedford.com or telephone from within the UK 01484 606230 (from outside the UK +44 1484 606230).
Many of Brian's songs have been recorded on
Artisan's albums. There are five on "Driving Home", seven on "Rocking
at the End of Time", a massive twenty tracks on the classic "Breathing
Space" album. "Our Back Yard" has fourteen excellent Brian songs
and "Dancing With Words" has another 14 and his Christmas songs - some
off the wall, some poignant and serious - are on "Paper Angels" and "Silver
and Gold". There are more songs - some from the early
years that never got recorded for lack of space on albums, plus some new ones as sung by The Brian Bedford Band and some still unrecorded. You can buy all the Artisan CDs from the Artisan album page.
Others have also recorded Brian's songs, "What's
the Use of Wings" has been sung and recorded by a number of people including Vin
Garbutt, John Wright, Marie Little, Gilly Darbey, Shep Woolley, UnityVoices, Worrall Male Voice Choir and the Philadelphia Gay Men's
Choir. "Breathing Space" has been recorded by Black Voices (though
unfortunately their record company incorrectly attributed the song to "Brian
Powell of Artisan," - Big OOPS! - they assure us they will correct this but... when?),
Mal Waite recorded Going Nowhere many years ago. More recently Tania Opland has
recorded "Roads". William Pint and Felicia Dale have recorded a
version of "White Horses." And... some we don't ever get to hear
about. Please tell us if there are any more
sightings by e-mailing jacey(at)artisan-harmony dot com. Thanks.
'What's the Use of
Wings'
Brian
Bedford © Bedspring Music
I could have been a giant' said the bonsai tree / But someone bound my roots and held me down / I could have reached for heaven said the snowy owl / But they clipped my wings and kept me on the ground / I think I heard them tell me that they love me / they would care for me forever so it seems / But what's the use of voices with no freedom / And what's the use of living others' dreams.
Why do people cage the
things they love the most / Is it simply that they fear to be alone / If you
give your love its freedom it may stay a while / If it leaves you it was never
yours to own.
Some of Brian's songs are silly, some are serious,
some are both if you listen closely. An essentially daft lyric forming the candy
coat around an extremely hard nut!
Extract from 'This is the Way the
World Ends'
Brian Bedford © Bedspring Music
This is the way the
world ends / Not with a bang but a bonfire / After tea we'll murder a tree / Then
take a dip in a warmer sea /
I'd like to live in a greenhouse / I know it
could be fun / This is the way the world ends / Basking in the sun.
Extract from 'You Are There'
Brian Bedford © Bedspring Music
Far away and close beside me / You are there, you are there / When the darkness tries to hide me / You are there / In my breaking and my making/ You are there, you are there /When I'm true and when I'm faking / You are there / You are the rock in shifting sands / In raging seas you are the land / You are the shelter from the gale / You are the knot that will not fail / No matter who I try to be / You see me through, ty see through me / And when I dare / Then you are there.
Note: some people have taken this to be a spiritual song, others a love song. Each person takes what they want from a song and brings their own meaning by the context in which it is sung. Brian didn't write it as a spiritual song, but if that's what you wish to sing it as, then please do so...
Extract from 'Too Old to Care'
Brian Bedford © Bedspring Music
I'm too slow to be chasing but I'm too fast to be chaste / I'm much too much to handle and I've no time to waste / 'Cos I am too old to be hot and I'm too young to be square / I'm old enough to know better but I'm too old to care! / Folks say I should grow up and maybe act my age / But I'm still sixteen, and I'm still green, and age is just a mind cage / I'll wear a frown if I slow down, that's really not my way / Well I've had enough, I'm breaking free / You youngsters better watch out for me.
Composer in Education --- "Thinking
Out Loud"
In 1992 Rotherham Arts, in
conjunction with PRS (Performing Right Society) and Yorkshire Arts put in a bid
to fund a Composer in Education, a professional song-writer who could work with
young people in schools. Originally John Tams helped to shape the scheme, but
Brian was asked to step into John's shoes when John was offered the "Sharpe's
Rifles" TV role.
Brian worked with the young people on what he
loves doing best, contemporary, socially and personally relevant song-writing. Over the course of two terms, from 1992-3, he
worked with groups of kids aged 12 to 14 in three different schools. The
teachers had envisaged that the kids would write modern folk songs, i.e. songs
in the traditional idiom, but Brian gave them free rein to write their own music
in their own style. These became true folk songs. Only time will tell if they
pass into the traditional repertoire.
That year there were nine such schemes operating
under the guidance of PRS and at the end of the year Brian's scheme was heaped
with praise, receiving two pages in the glossy PRS yearbook. He puts his success
down to being a teacher as well as a song-writer. The combination of talents was
undoubtedly successful.
The project led on to an album, "Thinking
Out Loud" and the formation of Brian's own publishing company and recording
label, "Bedspring Music."
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